Steve knew to be kneeling when I walked into the Red Room, his torso bent over his knees, forehead resting on the rug. He knew to be clean. He knew to undress, and to fold his clothes neatly behind the door, so that I walked into an immaculate room, nothing between me and the softly folded fist of his body but anticipation. While desire rose off Steve in fumes, steeping the whole room in its cloying vapor, I reveled in its absence. Just minutes before entering the Red Room, I adjusted my garters before the dressing room mirror, wrapped my fingers in electrical tape, and felt that happy absence, whose vacancy made room for some other, unnamed thing to fill me. I felt it already, the way you can smell autumn coming. Steve was into heavy flogging, and the tape protected the clefts between my index and middle fingers where I would soon clench a flogger handle in each hand. I had cued the music— which piped from the main office into all twelve rooms of the dungeon— to begin just a few seconds before I walked into the Red Room. The music I sessioned to was all the same; while I preferred angrier music for meaner sessions, all that really mattered was the bass line. I didn’t need a plan to have a good session; I needed a pulse.
If that great red-walled room was a womb, I was its heart. I was the moving center, my will a muscular force. There was nowhere I could go, it seemed, that the cushion of my client’s longing wouldn’t support me. It happened to be 10:45 in the morning, but the only time that mattered in that room was indicated on the wall- mounted timer that I turned a full circle when I walked in. There was only ever one hour in the dungeon.
--by Melissa Febos
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